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Alexis Smith

With her blue/green eyes and a seductively husky voice, she lent a touch of class to her leading ladies of the 1940s and 1950s.

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Filmography

1940      

Alice in Movieland

Lady with Red Hair

She Couldn’t Say No

 

1941      

Flight from Destiny

The Great Mr. Nobody

Here Comes Happiness

Affectionately Yours

Singapore Woman

Three Sons o’ Guns

Passage from Hong Kong

The Smiling Ghost

Steel Against the Sky

Dive Bomber

 

1942      

Gentleman Jim

 

1943      

The Constant Nymph

Thank Your Lucky Stars

 

1944      

The Adventures of Mark Twain

The Doughgirls

 

1945      

The Horn Blows at Midnight

San Antonio

Conflict

Rhapsody in Blue

 

1946      

One More Tomorrow

Night and Day

Of Human Bondage

 

1947      

Stallion Road

The Two Mrs. Carrolls

 

1948      

Whiplash

The Woman in White

The Decision of Christopher Blake

 

1949      

One Last Fling

South of St. Louis

Any Number Can Play

 

1950      

Undercover Girl

Montana

Wyoming Mail

 

1951      

Cave of Outlaws

Here Comes the Groom

 

1952      

The Turning Point

 

1953      

Second

 

1954      

The Sleeping Tiger

 

1955      

The Eternal Sea

 

1957      

Beau James

 

1958      

This Happy Feeling

 

1959      

The Young Philadelphians

 

1975      

Jacqueline Susann’s Once Is Not Enough

 

1976      

The Little Girl Who Lives Down the Lane

 

1978      

Casey’s Shadow

 

1982      

The Trout (aka La Truite)

 

1986      

Tough Guys

 

1993      

The Age of Innocence

Awards

Alexis Smith was never nominated for an Academy Award.

[About her first decade in films] In those days I was fresh out of school and delighted to be a movie star. Films were pretty much escapist entertainment, as opposed to the realism you see on screen today. Besides I was pretty much a utility girl at Warners. Anything Ann Sheridan or Ida Lupino or Jane Wyman didn’t want to do, I sort of fell heir to. You know people frequently feel it was a shame Warner typecast me, but I don’t believe that. I believe I typecast myself. I wasn’t creative. Certain creative people – John Garfield, Bette Davis, Olivia de Havilland – didn’t allow Warners to do that to them. So I don’t blame the studio at all. ~ Alexis Smith

Margaret Alexis Smith was born June 8, 1921 in Penticton, British Columbia, to Gladys Mabel Fitz-Simmons (a Canadian) and Alexander Smith (a Scot), her family relocated to Los Angeles when she was about a year old. Her parents both became naturalized citizens in 1939, through which she derived her United States citizenship. Smith grew up in Los Angeles, attending Hollywood High School. When she was 13 she made her professional debut, performing ballet at the Hollywood Bowl. She was discovered in 1940 at Los Angeles City College, acting in a school production, by a Warner Brothers’ talent scout and was signed to a contract. Her earliest film roles were uncredited bit parts, and it took several years for her career to gain momentum. Her first credited role was in the feature film Dive Bomber (1941), playing the female lead opposite Errol Flynn. Her appearance in The Constant Nymph (1943) was well received and led to bigger parts.

During the 1940s, Smith appeared alongside some of the most popular male stars of the day, including Errol Flynn in Gentleman Jim (1942) and San Antonio (1945), Fredric March in The Adventures of Mark Twain (1944), Humphrey Bogart in Conflict (1945) and The Two Mrs. Carrolls (1947), Cary Grant in a sanitized, fictionalized version of the life of Cole and Linda Porter in Night and Day (1946), and Bing Crosby in Here Comes the Groom (1951), her favorite role.

Among Smith’s